2013

Sorted Books: Family Gathering

“Sorted Books” is my longest ongoing project. It began in 1993 and has taken place on many different sites over the years, including in the private homes of friends, in rare book libraries, and in the archives of important literary figures. The process is the same in every case: I sort through a collection of books, make note of particular titles, and eventually group the books into clusters so that the titles can be read in sequence. The final results are most often shown as photographs of the book clusters, but on occasion, I exhibit the grouped books themselves. Taken as a whole, the clusters are a cross-section of that library's holdings that function as a kind of portrait.

I was invited to work with the books in a family home in Austin, TX in spring of 2013. Two adults and their three kids (aged 14, 17 and 20) lived in a large home with more books than perhaps any other family home I have been in. The parents’ bedside tables were piled high with books, with more books under the tables. There were books in the kitchen, the bathrooms and hallways. There was even a large book closet, the contents of which would have been enough for a book sorting project all of its own.

It took a long time to look at all the books in the house. I spent two days making an eighteen-page hand-written list, noting all potentially useful book titles, in advance of starting any book sorting at all. Moving through the house was like moving through zones of shifting subject matter and personalities. Two home offices had serious books on politics, history, health, care for aging parents, self-help, and a lot of contemporary fiction. In the very public areas of the house, often used when hosting, I found thick books about design and art history, and art catalogs often related to the art collection in the house. The cookbooks on the kitchen shelves lived in proximity to the books on the flora and fauna of Texas, with some occasional crossover; I was amused to find Texas Snakes near The New Texas Cuisine and decided to work with this happy accident.

I spent a great deal of time upstairs, in the kids’ rooms. The oldest boy had a lot of outdoor adventure literature, a genre I'm personally very fond of. The book spines in the teenage girl’s room were predominantly blue, pink, or pastel yellow with language that took a distinctly wordy, chatty, mildly provocative tone. My favorite shelves were the ones with hundreds of picture books that had been read to the kids back when they were very young. These books had tall, skinny spines and humorous or poignant titles that I often took out of context and merged with the adults’ books.

Spending many days in the house also attuned me to the pattern of this family’s daily life. Kids and adults came and went throughout the days while I was working, and my conversations with them also helped shape the compositions of the book clusters that resulted.